Produced by David Anderle
Engineered by Bruce Botnick
This was likely the most successful outing from this Texas musician, likely for several reasons, including the people who helped make this record, including four crackerjack guitarists–Clarence White, Jesse Ed Davis, Bobby Womack, and Jerry McGee.
Of course, Benno himself deserves most of the credit, as he writes all the selections and plays several instruments–guitar, piano, organ and marxophone. Perhaps most importantly, (fresh from playing on the Doors’ L.A. Woman album) Benno exhibits a fraility on Minnows that doesn’t show on his other outings.
While this recording (and several like it by southern musicians from the early 70s) were overshadowed by the overhyped and more bombastic material by unions of British and American southern musicians, these often forgotten and more low-key recordings by southern musicians alone were often more honest, original, and enjoyable. While Benno’s Ambush LP, the follow up to Minnows, was likely his most successful outing commercially speaking, this 1971 offering was the closest Benno came to creating a timeless classic.